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I liked going to church today and singing and being able to draw Christmas out for as long as possible--Gift of the Heart last night and each person reading a scripture about light--sibling gifts this morning--"Mom's Christmas" afterwards. I wish we always just sang during church and stopped speaking as much. There is something about music that allows for endless depths of possibility and hope and sometimes words, as much as I love them, are too clipped and narrow to contain what my soul longs for. Today I found it in the Christmas hymns and in watching the people in the choir react to a little handicapped boy who was on the front row in his wheelchair. Several of them sang to him and were moved to tears. I counted the "marks of woe" in their faces--I know about their losses, even those I don't know well, I could tick them off on my fingers--lost child, lost husband, lost job, no grandchildren yet and time is running out--I thought about what they must be thinking as they were singing those words, what they were hoping for."the weary world rejoices," it really is a weary world for so many. "Risen with healing in his wings." I let my crusading banners of differentiation droop at my sides and I just thought of people and how they need to be loved, how humbled I felt by the glorious child in my arms, for all the good in the world, for the hope of healing I have in Christ. I am hoping, I am trusting in Him to be able to lift all of this with his healing wings.
For my gift to siblings and their spouses, I found out their favorite picture books from childhood and gave them back to them. It was so fun giving everyone the books this morning—some of the inscriptions made people tear up, which made me happy. I liked seeing my siblings as the children they used to be--the little boy who loved dinosaurs so much--the sister who fled with me from the orphanage and lived with me in the forest (in our games)--the little brother whose book I read to him thousands of times when he was 3. It’s miraculous and heartbreaking that we are grown up, that the “in-laws” are a regular fixture now instead of a novelty. Every moment of this present reality is so glorious and you never know when everything will change forever, and one day all of this will seem so far away and sweet. So I am loving it today.
Here we are on Christmas Day, on Christmas Day in the morning! 




Abby made such a sweet present for Dit--a Japanese lantern, on which she painstakingly drew all of his favorite animals (no small task as Dit has exotic and particular tastes). Everyone was so touched when we saw this!


There was an interesting constrast between the way the upper and lower classes responded to Merrick. The poor maltreated him, placed him in a freak show, beat him, robbed him, gawked at him and used him for their own pleasure (entertainment and voyeuristic interest). The rich paid for a permanent “home” for him, sent him gifts, visited him, and used him for their own pleasure (it was “in vogue” to look upon him and tell the tale, voyeuristic interest).
The play briefly touched on the idea that no one saw nothing innately “him” that they could love, only what they superimposed as their reflections in him. There was a scene where people proclaimed that Merrick had various qualities--pointing out that he was insecure, well-read, soft-spoken, etc. always ending with the statement: “He is so much like me.” This made me think about empathy, the idea of feeling with someone at the connecting joints of humanity: pain, rapture, grief. Is empathy selfish, because what we “feel with” is only a reverberation or extension of our own feelings? So pity for anyone is really self-pity, and love for anyone is really self-love?
Lastly: Wanting to be “like others” was what finally killed Merrick (in real life, and in the play). Because of the weight of his head, Merrick had to sleep sitting up, but was attempting to sleep lying down in order to be more like other people, whom he desperately wanted to be accepted by. In the scene of his death, the ghosts of women who were once his companions in the freak show sing to him: “Sleep like others you’ve learned to admire, sleep like your mother, sleep like your sire.” I thought about the idea that trying to be like others is what kills us, and I've determined that it is true, at the very least for a myriad of tiny deaths. The death of authenticity, the quelling of a free spirit, the quieting of so many words, "songs we never share." How has wanting to be like others killed parts of you?
I don't know that these thoughts have driven me towards any definite conclusion, just fragmented hope that I can move towards offering an authentic self and work to provide a safe place for anyone I meet to be accepted, to know that they are worthwhile.
Also, here is a sweet picture of Chai being an adorable love, to remind us that there are easy/lucky/free things in the world as well as heavy and complex things. Oh, my own Lolly!